Bachelor of Fine Arts with Honours
Through metatextual relations of social events, primarily parties and social media presence, I have been working towards a post-anachronistic simulacrum in a forward historical deconstruction of time. This interest in accelerationism under neoliberalism has focused my current making on ‘femaleness’ as a marketable and consumable product espousing a anti-feminist trans-non-binary polemic. ‘Open Source Female’ or, ‘PARISSOCIAL.online’ is a femaleness truly available only through purchase and parasocial nepotism . Link in exhibition.